LEADER 01946nam a2200301 450

001 211674

005 20170608084145.0

009 a(OCoLC)955313301

009 a(OCoLC)ocn955313301

009 19660887

009 223939

010 1 $a9783775741873$bpbk.$dNT1653

010 1 $a3775741879$bpbk.

020 $aUS$b2017367459

042 $alccopycat

100 $a20181012d2016 m y0engy09 b

101 1 $aeng$cger

102 $ade

105 $aabc a 000yy

200 1 $aStriking patterns$eglobal traces in local ikat fashion$f[editing, Willemijn de Jong, Richard Kunz$gtranslations German-English, Kristina Mundall, Nigel Stephenson].

210 $aBerlin, Germany$dc2016.$cHatje Cantz

215 1 $a203 p.$ccol. ill., maps, port.$d31 cm.

300 $aCatalog of an exhibition held at Museum der Kulturen Basel, October 21, 2016-March 26, 2017.

302 $aTranslated from the German.

320 $aIncludes bibliographical references.

330 $aThe present publication takes readers on a journey to a handicraft that causes not only experts to prick up their ears but laypeople as well, capturing their imagination with each new chapter. At the same time, ethnologists and art historians aid in becoming familiar with the object of research from various directions. Ikat, the technology and art form of creating complex patterns on hand-woven textiles that is practiced primarily in Indonesia, India, and Central and South America, has continuously developed over the course of centuries. Foreign influences were absorbed and creatively integrated into local patterns. The main objects of research are works by female master weavers from eastern Indonesia and Timor-Leste. Their fabrics reflect not only fashion and modernity but also aspects of globalization. Exhibition: Museum der Kulturen Basel, Switzerland (21.10.2016-26.3.2017).

606 $aIkat$xExhibitions$yIndonesia$2lc$3256298

606 $aTextile fabrics$xExhibitions$yIndonesia$2lc$3256299

676 $a746.9/2$v23

680 $aNK9504.7$b.S77 2016

702 1$aJong$bWillemijn de$f1949-$4editor.$3256295

702 1$aKunz$bRichard$4editor.$3256296

712 02$aMuseum der Kulturen Basel$4host institution.$3256297

856 42$uhttp://d-nb.info/1095790315/04$3Inhaltsverzeichnis